narrator and creative writing workshop taught by Victor Conde. Things to know Continued transcription Creative Writing Workshop taught Victor Conde in 2010. Continuation of this post . For my part, let the copy paste (although if you're going to hang it anywhere else, I'd like pusierais the link here.)
Enjoy!
Things to know
The ideal time to tell a story there, but this must 'rationalize emotion' . If you have a comedy writer is depressed to write, the writer must be cool enough to get away from their feelings and rationalize what to write.
The writer must be placed mentally in the story and feel fully you're telling. No changes should be noted that motion written in the text because it shows when reading it. The writer's job is the same as the actor's work: we must move away from your own feelings toward the subject.
have to know how exciting it must transmit the text. And if the writer is then able to rationalize their emotions, many writers what they do is to make every scene run to the scene go completely smoothly and conveys the feelings are the same from beginning to end.
The dossier we have discussed above need to extend to touch also the world in which we will tell the story. The world must be consistent with itself , even a fantasy world and invented. One can talk about a world with different physical laws than ours, but to the whole world must be consistent invented.
simple tales are those in which the narrator talks account (eg cruel ogre then said he would eat children.) Each character has a funny way of talking, and this is reflected in the dialogues. The protagonists do not have to be educated and know everything, and if this is the case is must speak in a very simple and direct.
To make the dossier of the characters and know them, you should ask specific questions, this will also help to find out how they speak. You have to try that we write talks are fluid and natural, but because the reader does not believe it. The language must adapt to the place and time of the text.
At the time of swearing , we can admit and write misspelled words if a character sounding the telling. However, we can not accept that it is the narrator who says those bad words. A difference is how much talk about a character the way to speak of a narrator: a narrator will always speak in a cultured and elegant. If the story does not require that the characters are foul-mouthed, we should try to avoid them, because they can become violent reading of a text.
The ideal number of characters the minimum necessary for plot development. We try to include different characters together to give richness to the story.
Characters meet stereotypes are not negative for the writer, but help you describe. Still, the writer can skip the desired stereotypes to create a contrast that can get hit and win the reader originality to skip the bad stereotypes is that it takes longer to explain. Stereotypes can be used to benefit because it saves on explanations (and this helps in making short stories or microstories).
